Rigging equipment to mount Blackarm/vehicle rigging available, as well as rope and pulley systems.Ĭheck out the gallery below for some previous Movi builds.
With the included batteries, the camera and essential accessories can be powered without adding any bulk to the MVI Pro. Pipe Clamp to Mitchell Mount for Gimbal or Killshock Movi Pro The MVI Pro motorized gimbal stabilizer itself steadies cameras weighing up to 15 pounds, rendering it compatible with mirrorless cameras all the way up to smaller cinema cameras. From professionals shooting weddings or news gatherers to budding videographers wanting to capture a doco.
MOVI PRO CAMERA PORTABLE
MoVI Pro is a small, lightweight, portable system that allows users to create world class production quality content quickly and easily. Shoot films and capture moving memories with a camcorder from the range of video cameras. It offers industry leading performance, flexibility, and ease of use. Kessler Killshock Vibration Isolator for rigging to off of vehicles, dollies, jibs, overheadsĬinemilled 2” Reciver Adapter for Killshock MoVI Pro is the most advanced camera movement system ever created. This gimbal is a lightweight, portable system that allows users. Remote control of Movi parameters and tuningĢx SmallHD Cine 7 Monitors with built in Teradek Receiverġ Teradek Bolt 500 Receiver (Extra SDI/HDMI Receiver to mount to any video village monitors) The MVI Pro is known as one of the most advanced camera stabilization systems ever developed. Pan/Tilt control from a tripod head in Mimic Mode Inovativ Cart provides mobile workstation with baby pin for mounting monitors and other equipmentģ axis FIZ control (Full FIZ available upon request)įully customizable Pan, Tilt, Roll, Focus, Iris, Zoom control WK Slingshot 2.0 Rig provides optimal operator support with a boom range of 10+ Feet from the groundĮartec UltraLITE Open Mic Headset (4 Headsets) enable discrete communication between Directors, DP, Crew Ninja Star adapter and Mitchell tie down for mounting Movi to any rigging: Jib, Dolly, Slider, Tripod, Overhead Rig Tilta Nucleus for Single Op Focus/Iris/Zoom Control Heden Lens Motor compatible with Movi Pro integrated FIZ from Movi Controller Upgraded TB50 Batteries provide all day power for cameras and accessories Tilt Offsets and Counterweights for properly balancing most any camera system and lens combo Standard Arri Dovetail baseplate reduces need to strip down camera and enables extremely fast switching from Movi to Handheld/Studio setup. This enables more time to plan, block and rehearse shots and ultimately tell a better story through camera movement. This also makes traveling with kit a breeze. By working off his own cart, he can efficiently move around set or from location to location with all the essentials in one place. By the time crew has had their first cup of coffee, the Movi is typically up and ready to roll. The only prep needed is building the camera into the Movi, which ideally can be taken care of during a prep day. Matt typically arrives to set with all equipment in 2 Pelican cases on an Inovativ cart ready to go. Additionally, by owning his own equipment, in the event there is an issue, Matt can quickly assess and troubleshoot the problem. By owning all of his own equipment listed below, he streamlines the workflow on set and minimizes downtime caused by working with rented equipment, wireless connectivity issues, compatibility between systems and trouble integrating. Being able to really put it down is very helpful.Įspecially with tiny crews or in non scripted environments with either too little space or a lot of space.Matt owns an ever expanding and versatile Movi Pro Gimbal package. With the MoVi ring I can walk around for hours without the need for a stand, but I need to hold it upright while the weight is resting on the floor or a table. The feet on the group make it easier to walk great distances away from your stand without the need for extra crew to help carry the MoVi or a stand.
MOVI PRO CAMERA PROFESSIONAL
There are situations where you walk around a lot and walking back to the stand or C-stand is a waste of time (like on festivals where you can walk for miles if you are not restricted to a small radius from a stand). Professional camcorders for broadcast, videography, corporate and more. There are situations where there is no space for a C-stand because you have to be as invisible as possible (like weddings).
MOVI PRO CAMERA FULL
You assume everyone would have a full support rig, but assumptions the mother of.
They are there on the picture from the front: the 2 blocks on top.
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